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With a long history behind it, years of experience and thousands of users worldwide, Photoshop is, without a doubt, the industry standard when it comes to photo manipulation and graphic design. In fact, its popularity is so widespread that its name became a verb, much like Google. It is habitual to say that an image has been “photoshopped”, which in the urban dictionary means that it was edited or manipulated, no matter the image editor that was used.
Photoshop's popularity relies on its versatility and its impressive feature set, which meets the requirements of professional photographers and artists, advertising specialists and graphic designers. Amazing results can be achieved once Photoshop’s capabilities are mastered and explored to their highest potential.
Creativity and imagination are the only limits
Photoshop delivers a plethora of tools for image manipulation, while making no compromise on quality whatsoever. Its toolbox includes an overwhelming collection of image editing features both for raster images and vector graphics.
As expected with such a powerful and comprehensive application, it requires time, exercise, experimentation and practice to master, perhaps a significant amount of time spent watching tutorials and viewing usage examples to use at full potential. But once mastered, the rich graphics and the astounding images that can be obtained in Photoshop make it all worth it.
Give your photos a stunning, eye-catching look
Layer-based editing is at the core of Photoshop, allowing image creation and manipulation using multiple overlays. Masks, filters, shadows and various other effects can be added to a layer.
With smart auto-correction capabilities, HDR imaging, color management tools, tons of effects and animations, there is no editing task that Photoshop cannot carry out. It allows you to change picture backgrounds and fix imperfections, or use effects and colors to make a photo be much more eye-catching.
It is not just editing tools that you have at hand, but also various drawing tools that bring you close to the real experience of painting in watercolor, spray-painting on a wall and achieve effects that you might not thought can be obtained in the digital world. Moreover, neural filters allow you to color a scene with a few clicks, combine landscapes to create collages or a new scenery and change face expressions in your photos. And, if that is not enough, the application’s functionality can be further extended using new plugins available both inside the application and in Creative Cloud.
Presenting the Photoshop family
It is worth mentioning that the Photoshop family includes mobile tools that work together to provide a comprehensive and unmatched image manipulation suite. Photoshop Lightroom offers powerful image editing tools, Photoshop Express is the mobile Photoshop client that can be used on the go, while the Photoshop Camera is an app that allows capturing high-quality photos.
Needless to say, Photoshop seamlessly integrates with other of Adobe’s products, allowing you to import content from Illustrator, for instance.
The go-to image editing and manipulation software
Photoshop is the emblematic application when it comes to photo editing, managing to challenge your creativity and design skills, while providing the tools and the functionality needed to obtain incredible art and amazing graphics.
Thanks to its clever selection tools, its professional-grade editing toolbox and its team collaboration and sharing options, Photoshop’s recognition as the industry standard has, indeed, a solid foundation.
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* **Using the Basic Controls**. With the Basic Controls, such as the Move, Zoom, and Crop commands, you can quickly and easily edit an image. Figure 1-1 shows the Basic Controls; to change the size of an image, you crop it (see Cropping an Image).
Figure 1-1. The Basic Controls enable you to quickly manipulate the pixels on the screen. For example, you can zoom in and out (press Ctrl+ and Ctrl–) and move the image around. When you’re ready, you can crop the image (click the Crop tool icon on the Toolbox and select the Crop tool).
* **Using Layers**. Layers help you create better photo effects. As well as giving you the power to cut, combine, and duplicate images, layers enable you to move, fill, and paint on a separate section of an image. You can use layers to create complicated effects. For example, you can move a portrait and then blur it so that it’s like a watercolor effect.
Figure 1-2 shows a portrait on a layer. You can apply retouching by moving the image over areas of a layer—it’s kind of like working on the canvas for a painting. You can also move the layer and other layers around, resize, and flip them.
Figure 1-2. Layers are the heart of all Photoshop editing. A layer enables you to add, move, and resize just about any area of an image. You can even cut and paste a section of an image to another part of an image, crop, and paint with a layer—just as you can for a painting.
When you’re satisfied with your changes, you need to save your work. You can save a copy of an image just as you would save any other document. You can save a copy of your entire current file, or you can save a copy with the version number attached. Save a copy always saves your changes. So, if you need to undo changes, just save a copy again. A main issue is that you can save and open a PSD image file only in Photoshop CS5 or later. Earlier versions of Photoshop allowed you to save PSD files as “OpenCanvas.” So, just be sure to make the save as a PSD file so you won’t lose your work.
When you use the Edit menu, choose Save to save your image file. The Save As dialog box
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In this tutorial, we’ll learn to use Photoshop as an image editor and make new, high-quality images from scratch. We’ll learn to make an image look like it’s underwater and even make our own versions of the characters on Dr. Seuss’s Green Eggs and Ham.
The Photoshop file we’ll use is a stock photo of a cartoon character, which you can download here. You can create your own art, but we’ll use a stock photo.
Assign a Layer Style
Use the Layer Style dialog box to set up our first artwork.
Set layer mode to Overlay.
Turn off “Use for Grayscale” and “As RGB”.
Select the outside layer.
Create a layer style by dragging the “Pattern Overlay” icon from the dialog box onto the layer, as seen below.
Hit OK.
Open the Layer Style dialog box again, select the new layer style, and drag it onto another layer.
On top of the stock photo layer, use “Color to alpha” to adjust the alpha channel, which indicates transparency and is the part of the image with color. Adjust the brightness and contrast using the Amount controls and set the color to #4B233E. This is the color of the character’s body.
Adjust your new layer style.
The easiest way to create an image in Photoshop is to make a new layer and fill it with the color you want. Create a new layer by clicking on the New Layer button in the layers palette. Make sure the layer is always on top by using the Layer Order controls.
Click on the New Layer button.
Now all you need to do is choose a color.
As you can see in the image below, to create a color filled layer, click anywhere on your image and then hold CTRL while moving your mouse over a color in the image until you see the cursor change to a color picker. Click anywhere on the color you want to use in the image.
Choose a color.
Click anywhere on the image and hold CTRL while moving your mouse over a color in the image until you see the cursor change to a color picker.
Click on a color and select it.
Click anywhere on your image and hold CTRL while moving your mouse over a color in the image until
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Secretory production of the yeast Saccharomyces cerevisiae alpha-amylase in Pichia pastoris.
Two glycosylated, secretory yeast amylase cDNAs, designated AmyR and AmyB, were cloned from Saccharomyces cerevisiae and Pichia pastoris and expressed in these eukaryotic microorganisms, respectively. The protein products of both genes were shown to be secretory proteins when expressed in P. pastoris (sec1- mutant strain) rather than in S. cerevisiae. When secreted by P. pastoris, AmyR and AmyB were expressed at levels of approximately 25 mg/l and approximately 50 mg/l in culture supernatant fluids, respectively. AmyB expressed in P. pastoris contained the endogenous alpha-amylase activity of about 200 U/l in the culture supernatant. The protein products of AmyR and AmyB showed specific activities of about 400 and 400 U/mg at pH 5.0 and 50 degrees C and about 250 and 250 U/mg at pH 3.0 and 50 degrees C, respectively.Australia’s woes over 50-over cricket continue, with the ODI side having been hammered at home during the recent English summer.
Michael Clarke has encouraged the selectors to consider axing five of the current squad, with the team’s biggest stars voicing their concerns.
Clarke has still not played a red-ball game in almost two years after undergoing surgery for a right knee injury, and his place at the top of the batting order is under threat.
QUICK SINGLE ABD Kicked out of England squad
“I am not going to lie, it is something I have thought about and discussed with the guys,” Clarke said ahead of the first Test of the current triangular tour.
“I really have had a lot of conversation with some of the guys and it would be nice if some of the other guys can start to be more vocal than they have been over the last few years and start to bring themselves into the picture too.”
Clarke has been in outstanding form in recent times, averaging 83 with the bat, and is spearheading Australia’s attack with the ball.
Warner is under fire too after being dropped for the recent series against Sri Lanka, which ended in a 3-0 defeat.
Warner not returning to batting rankle’s Billy
The veteran has looked particularly rough with
What’s New in the?
Oscars: Cannes’ Arnaud Desplechin (L) and French-Argentina’s Pablo Larrain (R) embrace as they arrive to the 70th annual Cannes International Film Festival in Cannes, France.
Cannes, France — A dynamic director with a focus on the human condition and a rising star among younger filmmakers, Pablo Larrain’s explosive new film “Jackie” has captured top-tier prizes at the Cannes Film Festival and the complete confidence of U.S. critics.
“Jackie,” which centers on a man who becomes obsessed with a starlet named Jackie, is one of the most startling films in recent memory, featuring a Spanish actress in her first Hollywood role alongside a very talented debut director who’s never made a feature film before.
Larrain comes from another world than the stars who turn up to the Palais des Festivals to promote their films. His film was made by a small crew working out of his apartment in Argentina’s capital, Buenos Aires.
His cast and crew are friends who are not actors, and the film was shot in four days, on an iPhone and by just one editor.
Claire Denis — he’s only 25 — is a bona fide auteur who made her name with “Beasts of the Southern Wild” and her latest film, “The Intouchables,” is a very European feel-good movie about a wealthy French man who takes in his aging mother and begins to care for her.
Larrain is different.
He’s a graduate of the New York Film Academy and his first project “My Brother’s Balls” earned him international acclaim with its dramatized account of two brothers trying to manage the birth of their first child.
“Jackie” boasts the same raw, expository energy and is shot by the same cinematographer, Emmanuel Lubezki.
Yet it all adds up to something altogether rare: a daringly unconventional film in Cannes that has been drawing top-tier reviews and leading to a bidding war for U.S. distribution.
So why didn’t it get nominated for the Cannes best director award, which has only gone to the likes of Woody Allen, Peter Weir and Steven Soderbergh?
Larrain said his film, a sort of Gothic melodrama, has nothing to do with the atmosphere of the festival.
“I saw [Oscar-nominated director] Michael Hane
System Requirements For Adobe Photoshop:
Pre-credits –
REQUIREMENTS
GAME VERSION
Windows 7/8
Windows XP
DirectX 11
Processor:
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2.3 GHz or faster
Memory:
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Video Card:
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The PC’s hard drive must have a minimum capacity of 80 GB.
Sound Card:
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